Field of View Comparator – Epic, Arri, Canon, F65

Ever wanted to know what the field of view of different cameras are and be able to compare them … well now you can.

Able Cine has made this great tool and they have recently added all the new cameras from NAB 2012. The new cameras include the Canon C300, C500, and 1DC. The C300 and C500′s sensor is almost exactly the same size as Super 35mm film; at 24.6×13.8mm it has a 28.2mm diagonal. The 1DC can record in both HD modes and in a 4K mode. The HD mode uses the full frame sensor area just like the 5D Mark III, however the 4K mode uses a smaller APS-H mode, like the 1D Mark 4. All these options are now available in our tool.

Additionally, they’ve added the Blackmagic Digital Cinema camera to the list, which has a sensor size somewhere between Super 16mm film and a 4/3rd sensor like on the AF100. At 15.8×8.9mm it has a 18.14 mm diagonal, which leads to a fair bit of cropping when compared to Super 35mm and full frame sensors. The Blackmagic Camera can record in both HD (ProRes, DNxHD, and uncompressed) as well a full 2.5K 12-bit Raw format. The Raw data is captured in Cinema DNG format at a resolution of 2432×1366, however the captured image area is the same, so you should get the same field of view in either mode.

Epic X shoots Furniture TVCs

Just finished working on a series of commercials with my new camera – Epic from Red. The Epic is the latest and by far best camera out in the market today. Its being used to shoot movies such as Spiderman, The Hobbit and Avatar to name a few. The Epic has features such as HDR which let you shoot scenes with 18 stops of Dynamic range. The next best camera can only get to 14 stops. This camera is what we all have been waiting for !