Hill sprints, stand up paddle boarding and rowing; this is just the beginning of what’s in store for Australia’s newest on-line entertainment, health and wellbeing channel healthyMEtv. Hosted by rugby union legend George Gregan, healthyMEtv inspires Australians to live healthier each day by creating the best original video content.
Fennel and tomato lamb shanks, pumpkin, crisp sage and parmesan pasta and apple blackberry oat crumble… is your mouth watering yet? Tim truly works across all types of film work; he is currently halfway through shooting a series of cooking segments for Your Local Greengrocer. He might even pick up some new recipes while he’s there!
Continue reading “Working up an appetite”
After wearing hearing aids for most of his life, Melbourne man Ange Karsakalis can now hear his favourite Aussie rock music over the noise of car engines for the first time without blowing the speakers.
A mechanic by trade, Ange is profoundly deaf in his left hear; he was also one of the first people in Australia to use Cochlear’s next generation bone conduction hearing implants, the Baha Attract.
Continue reading “Global film shows hearing transformations”
Capturing the emotion behind a person’s story is an essential skill for any cameraman; whilst filming a series of informative videos for AbbVie, a global biopharmaceutical company committed to patient-centred innovation, Tim’s skills were put to the test.
Off to Melbourne to shoot two one question interviews. Leaving on 8am flight return 1pm flight. Then off to shoot more interviews in Sydney. Nothing like shooting in two states on one day.
The Samurai recorder is a great piece of gear. I bought this pro res and Avid codec recorder for two main reasons.
First it will let me offer 10 bit recording with my Xdcam F800 camera. This will be great for any green screen work, or work where there is high detail in the back ground. The advantage of 10 bit of 8 bit recording is that in simple terms the editor has alot more information to work with, therefor can push the limits further.
The second reason is to be able to offer a direct to edit option with my Red Epic camera. When the Samurai is used this way it will eliminate the need to transcode the Epics camera files (R3Ds) means a far faster post solution. Another use is to make proxy files for offline editing. I recently used the Samurai on a shoot with my Epic as a great, quick replay device. The director could replay any shots while I was setting up the next shot with the camera.
The Samurai is a leader in its area. It is small, easily operated and has the lowest power consumption. It is a great addition to my extensive range of gear.
Ever wanted to know what the field of view of different cameras are and be able to compare them … well now you can.
Able Cine has made this great tool and they have recently added all the new cameras from NAB 2012. The new cameras include the Canon C300, C500, and 1DC. The C300 and C500′s sensor is almost exactly the same size as Super 35mm film; at 24.6×13.8mm it has a 28.2mm diagonal. The 1DC can record in both HD modes and in a 4K mode. The HD mode uses the full frame sensor area just like the 5D Mark III, however the 4K mode uses a smaller APS-H mode, like the 1D Mark 4. All these options are now available in our tool.
Additionally, they’ve added the Blackmagic Digital Cinema camera to the list, which has a sensor size somewhere between Super 16mm film and a 4/3rd sensor like on the AF100. At 15.8×8.9mm it has a 18.14 mm diagonal, which leads to a fair bit of cropping when compared to Super 35mm and full frame sensors. The Blackmagic Camera can record in both HD (ProRes, DNxHD, and uncompressed) as well a full 2.5K 12-bit Raw format. The Raw data is captured in Cinema DNG format at a resolution of 2432×1366, however the captured image area is the same, so you should get the same field of view in either mode.
Sony has released the Android version of the XMPilot Tool App, but the App will only work on Sony devices. There is also a version of the XMPilot Tool App for iOS iPhone and iPads.
I find it digraceful the Sony has released a crippled Andriod version of the App, but has released the iOS version. I was told by Sony that the crippled Android version was to promote the use of Sony products, But if this is the case why did Sony release an iOS version? Really bad work with this Sony !
I have paid for the software key and WiFi adapter ($2,200) for my Sony XDcam PDW-F800 HD camera ($70,000) and I can not use with my HTC Android phone.
So all you other Android user out there that feel that this is wrong please let Sony know how you feel too!
Sony has released a new version of XDcam Browser Version 2 (XDB V2). It supports XMPilot, live logging, XMPilot support, Mac Lion support and more. It should mean that I will be able to use my phone (or an Ipad) as a viewer, shot marker and logger on shoots! Very exciting as it can help reduce edit time.
XMPilot is a great powerful system when combined with a F800 XDcam camera and WiFi adapter. XMPilot is an advanced metadata workflow solution designed to significantly improve and speed up the overall XDCAM production workflow. It has connectivity via mobile devices such as smartphones and touch tablets.
With XMPilot, users can create planning metadata with the XMPilot Planner in advance and have the flexibility to transfer this metadata to a camcorder remotely via email and Wi-Fi, as well as directly via USB or file-copying onto a recording media.
The XMPilot Tool running on mobile devices (smartphones and tablets) enables live logging and post-shoot logging against the timecode. The XMPilot live viewing option allows XMPilot users to select a target camcorder (with XMPilotTool GUI) and view live stream recording whilst away from the shooting set.
XMPilot planning metadata transfer, live viewing and live logging can be carried out with mobile devices.
I will test it all out as soon as I can get a copy of the new browser. Looking forward to this major leap froward in technology ! A Tweet from a Sony Guy in Europe says the software should be on their sites for download by next week.
I had a few shoot days cancelled that were going to be shooting for Qantas. Lets hope all the issues can get worked out so everyone’s happy.
At least I will get to watch the Melbourne Cup now !
Anyone got a good tip for the race?
North Coast NSW & SE Queensland Videographer 