RED Epic Dragon Camera / Production Package for Sale

Update : Camera is sold. 

I have decided to sell one of my Red cameras. This camera is a great camera that has had very low usage time – only 120 hours on the sensor. It’s a great dependable camera that produces great images time after time. It is fitted with the interchangeable OLPF. It also comes with both a Red Pro I/O and A-Box so you can scale it up or down to suit your production needs. Continue reading “RED Epic Dragon Camera / Production Package for Sale”

External recorder or monitor-recorder: why do I need one?

best on camera recorder

Deciding on new camera gear is always tough and you have to focus on which product is right for you.

I have owned and used on camera monitor-recorders for a long time. I originally bought a Atomos Samurai when I bought one of the first Red One cameras in Australia. The reason this was a great option to add to the Red camera was because it allowed me record a video stream with matching file names and timecode (to the RAW recording) the Red camera was doing. This allowed more options in post production as well as allowing for playback on set. This was in the very early days of the Red before the cameras could play back the footage. These two features alone were more than enough reason to buy the Atomos.
Continue reading “External recorder or monitor-recorder: why do I need one?”

Red’s new camera

It’s all happening again, Red has made a cryptic announcement of an announcement coming on July 6th.

Jim Jannard the founder of Red Digital Cinema posted on RedUser “July 6th. 9am PST. Right here. You need to be online. You need to tell everyone you know to be online. Have your credit card ready. This is a new product category. It does not impact your RED camera.”

Jim Jannard later posted its “Much bigger than a codec and much smaller than curing cancer.”
Continue reading “Red’s new camera”

Secret to making a great Video

Secrets to better videos

What is the secret to making a great video? A great cameraman.
While having all the gear you will need on set is always that best option, Gear does not make the cameraman, the cameraman makes the gear. Don’t forget Gear is good, but vision, know-how and creativity is better.
If you know how to properly use your gear, you can produce beautiful work. Does using professional camera gear perform better? Yes. But simply having the best camera isn’t enough you need to know-how to use it.
Continue reading “Secret to making a great Video”

Dragon Upgraded to swapable OLPF

We have just completed the Dragon camera upgrade to take the latest swap-able OLPF (Optical Low Pass Filters) We also have both of Reds OLPFs which give more options for shooting.

The OLPF come in two varieties:

The Low Light Optimized is the original RED DRAGON OLPF tuned for higher ISO shooting, and similar to the OLPF used in the EPIC MYSTERIUM-X. This OLPF provides excellent color and tone reproduction in dim environments. Use this OLPF to capture and preserve color quality in mid-tones, darks, and shadows.
The Skin Tone Highlight OLPF offers a stop of extra highlight protection, the most incredibly accurate skin-tones and color science as well as additional flare control, with the expense of a stop of light sensitivity. Use this OLPF to capture and preserve color quality in highlights, bright colors, and well-lit environments. While using the Skin Tone Highlight OLPF with ND filters there is no need for Infrared filtering.
Dragon swap-able OLPF

Working up an appetite

Mindseye Films - Your Local Greengrocer

Fennel and tomato lamb shanks, pumpkin, crisp sage and parmesan pasta and apple blackberry oat crumble… is your mouth watering yet? Tim truly works across all types of film work; he is currently halfway through shooting a series of cooking segments for Your Local Greengrocer. He might even pick up some new recipes while he’s there!
Continue reading “Working up an appetite”

Now Shooting with Red Dragon

Dragon: a large, scaly mythical creature that breathes fire and guards castles. Right?

Wrong! Dragon is the name that’s been given to the newest version of the Red Epic, which was already ground-breaking in its field. Tim is one of the first cinematographers in Australia to obtain one, and he is eager to put it through its paces.

The Red Epic Dragon camera takes things up a notch from the previous Red Epic; offering dynamic range once thought impossible, the Red Epic Dragon has impressive low light capabilities, increased resolution and new colour science. In particular, the new colour science makes a huge difference to the end result; primary colours appear brighter, while skin tones are softer and colour variations are more noticeable than ever.

Other stand-out features include:

  • Dynamic range around 16 and a half stops
  • Highest colour sensitivity ever measured
  • Exceptionally low noise levels
  • Can film hi-speed at hi-resolution, clocking 100fps at 6k resolution

The Dragon has had rave reviews from those lucky enough to have tested it.

It has already been used to shoot several high profile films, including ThorPayne and RedemptionBad NeighboursWalking with Dinosaurs 3DThe Expendables 3 and Gods of Egypt, which Tim has been on set at with his new gear.

 

DRAGON-5079