What is the secret to making a great video? A great cameraman.
While having all the gear you will need on set is always that best option, Gear does not make the cameraman, the cameraman makes the gear. Don’t forget Gear is good, but vision, know-how and creativity is better.
If you know how to properly use your gear, you can produce beautiful work. Does using professional camera gear perform better? Yes. But simply having the best camera isn’t enough you need to know-how to use it.
Continue reading “Secret to making a great Video” →
Photography and Cinematography is about capturing a point of view or really your own point of view. To do this we all make decisions on location of the camera and subject as well as the time of day or night to shoot. Then when you are shooting you then need to decide what gear to use and one of the most critical factors to achieving a different look is what lens will I use?
Continue reading “A different point of view – Extreme wide angle and fisheye zooms” →
Unless you have been living under a rock, surely almost everyone is familiar with the kickass reputation of Aussie TV personality and trainer Michelle Bridges.
Tim Bradley at Minds Eye Films certainly knows now that she applies this can-do attitude across all areas of her life, and especially so in her training programs.
Continue reading “Move it with Michelle” →
Red has just added some tools for Cinematographers and Photographers that use Epic or Scarlet cameras to their web site. The new tools are 1. Crop Factor 2. Recording Time 3. Flicker Free Speeds 4. Depth of Field.
You can find the tools at http://www.red.com/tools/crop-factor
At the moment they are online but its rumoured that there may be an app version in the pipeline. I see the record time tool as the best as no other app seems to be able to do what this tool does.
Thanks you Red!
For more about Tim Bradley please visit www.sydneycameraman.net.au or www.cams.net.au
This chart shows the resolutions of the various RED formats and their corresponding dimensions in millimeters. Created by Danai Chutinaton. Thank you for the great information.
High Resolution Download: http://www.bluepano.com/hostedfiles/…ons-Key-LG.jpg
Ever wanted to know what the field of view of different cameras are and be able to compare them … well now you can.
Able Cine has made this great tool and they have recently added all the new cameras from NAB 2012. The new cameras include the Canon C300, C500, and 1DC. The C300 and C500′s sensor is almost exactly the same size as Super 35mm film; at 24.6×13.8mm it has a 28.2mm diagonal. The 1DC can record in both HD modes and in a 4K mode. The HD mode uses the full frame sensor area just like the 5D Mark III, however the 4K mode uses a smaller APS-H mode, like the 1D Mark 4. All these options are now available in our tool.
Additionally, they’ve added the Blackmagic Digital Cinema camera to the list, which has a sensor size somewhere between Super 16mm film and a 4/3rd sensor like on the AF100. At 15.8×8.9mm it has a 18.14 mm diagonal, which leads to a fair bit of cropping when compared to Super 35mm and full frame sensors. The Blackmagic Camera can record in both HD (ProRes, DNxHD, and uncompressed) as well a full 2.5K 12-bit Raw format. The Raw data is captured in Cinema DNG format at a resolution of 2432×1366, however the captured image area is the same, so you should get the same field of view in either mode.
Yes ….. I have a Canon 5D Mark II as well as a Red One and Sony F800 cameras. But I only have it mainly for stills. I am really enjoying shooting some lovely stills, just wish the weather was better. I hoping to shoot a few long exposure tests. So lovely to have a short depth of field, very cinematic. I got a couple of Lenses with it, 24-70 F2.8 and 70-200 F2.8. I have not shot anything yet that hasn’t been at 2.8 I just love shallow DoF.