Greenscreen TVC

Red Epic camera on a R90malibu-green-screen-b5ac2c219da1028fbf2c026e7ba8e15d

I shot a green screen shoot yesterday for a TV commercial. We approached this slightly differently than the usual as we decide to shoot with the Epic camera mounted at 90 degrees shooting 5K HD in a 16:9 aspect ratio.

By setting up this way it meant that then we would shoot the talent head to toe and just wide enough to accommodate any hand movements for the whole shoot. Because of the 5K resolution of the Epic camera combined with the added resolution boost by shooting with the camera mounted at 90 degrees meant all the reframing could be done in post with no loss of quality. The finished TVC will have shots ranging from close ups to very wide shots where the talent will be about a quarter of the screen height.

This all enabled us to shoot very efficiently without sacrificing quality.

So on your next greenscreen shoot think about mounting your camera at 90 degrees.

Setting up an Interview

Setting up EpicI have a big interview series shoot, where we are interviewing heaps of legends from Australia’s film and TV industry. Shooting on a Red Epic to ensure nice short depth of field and and a cinematic feel to the finished video. Thanks to Eve Brown (Production Manager) for sitting in for the pre-light at the beautiful Theatre Royal.

We decided to shoot at 4K resolution with an f-stop of 2.8 to achieve a beautiful soft background. The rich red tones in the theatre look superb. I am looking forward to the next few days of shooting with the great team from The Milkbar.

Screen Aust Epic shoot

Screen Aust2

The lighting I am using are a mix of Lowel Tota lights and Dedolight or Dedo’s

World movie premiere – DOP Tim Bradley

Hi 5Forget the Oscars, the world premiere of the new Hi-5 movie “Some Kind of Wonderful” with director of photography extraordinaire Tim Bradley. I shot on my new revolutionary Red Epic camera. It’s in good company, Red Epic was also used to shoot Hitchcock, The Great Gatsby, The Hobbit and Mental. Looking forward to walking the purple carpet – think Hi 5 colours 🙂

The Fantastic crew was – sound by Martin Harrington, additional cameras Brigham Edgar,  Dean Ginsburg and Directed by Jim Hare.

Red Sue Sony

Red_vs_Sony

Red Digital has started to sue Sony Corp for patent infringement. The Red’s complaint claims that three cameras made by defendants Sony Electronics and Sony Corporation “all embody the subject matter claimed in Red’s asserted patents without any license.” The federal court filing adds that “Red is informed and believes and thereupon alleges that the sale of Sony’s unauthorized, infringing cameras has resulted in lost sales, reduced the business and profit of Red, and greatly injured the general reputation of Red.” Alleging two instances of “willful and wanton” patent infringement on technology used in its Red One camera, Red is seeking a court order that its patents are “valid and enforceable” as well as an injunction against Sony’s F65, F55 and F5 cameras to stop their further sale and have them destroyed.

Jim Jannard, founder of Red says “This is a REDCODE RAW issue… one that many have acknowledged for years as a core invention of RED and incredibly important to what we all are doing…… REDCODE RAW is not “rounded corners”. It is fundamental to recording high resolution images on camera to small media. It is brilliant. And it is no surprise that others have finally figured out (several years later) that the only way to get where they need to go is through this path.”

This will probably take along time going through the courts, but may just make people reconsider their purchase of a Sony F5, F55 or F65 as if Red wins they may all have to be destroyed.

GoPro Hero 3 – Black

gopro hero 3 black

GoPro have released their new range of cameras and I recently got my GoPro Hero 3 Black camera. The Black edition is the top of the range GoPro camera. It is the most versatile of the range as it offers more video resolutions and higher recording resolutions, in fact it will record 4K files. Other great features are its now 30% smaller, 25% lighter and 2 times more powerful than previous models. It’s waterproof to 60 m, capable of capturing ultra-wide 1440p 48fps, 1080p 50 fps and 720p 100 fps video and 12MP photos at a rate of 30 photos per second. It also has time lapse capabilities, being able to take a frame every 0.5, 1, 2, 5, 10, 30, 60 second intervals. Another stills innovation is the Continuous Photomode where you can take 3 photos per second or 5 photos per second or 10 photos per second – get for capturing the exact moment.

 

This camera is so small it can be mounted almost anywhere, meaning that I can now offer another camera to get a different view than possible with a normal sized camera. Also the waterproof housing meaning that is can be used almost anywhere in any weather conditions.

 

It has built-in Wi-Fi enabling remote control via included Wi-Fi Remote as well as live video preview and remote control on my smartphone and ipad running the GoPro app. This means its really easy to frame up your shot and then roll and cut the camera, as well as check that the camera is still getting what you want. The app also lets you can all camera setting really quickly and easily.

 

 

Cinematography tools online by Red

Epic and scarlet tools

Red has just added some tools for Cinematographers and Photographers that use Epic or Scarlet cameras to their web site. The new tools are 1. Crop Factor 2. Recording Time 3. Flicker Free Speeds 4. Depth of Field.

You can find the tools at http://www.red.com/tools/crop-factor

At the moment they are online but its rumoured that there may be an app version in the pipeline. I see the record time tool as the best as no other app seems to be able to do what this tool does.

Thanks you Red!

Epic online tool

For more about Tim Bradley please visit www.sydneycameraman.net.au or www.cams.net.au

Inspirational people

I have filmed thousands of people over the years, but just recently I filmed Professor Graeme Clark, a very inspiring man who invented the cochlear implant which enables at least 95% of deaf people to hear again. Not only is he a humble friendly man, he is an absolute pleasure to work with. Prof Clark was derided by the scientific community, with many saying ‘it’ll never work.’ Well, the cochlear implant has transformed the lives of close to 200,000 people. And I had the pleasure of working with this brilliant Australian. Its meeting amazing people like Prof Graeme Clark that keeps me loving my job!

The project was for the 30th anniversary of the world’s first commercial cochlear implant. The world is truly a better place because of him!

Red Epic Pro I/O arrives

Epic Pro I/O ModuleThe latest module for the Red Epic has just arrived. Its the Pro I/O or professional Input output module. This module allows for many advanced configurations and attaches to the rear of the Epic to provide a central hub for essential I/O connections. Professional I/O support for audio and video is critical for large productions and the PRO I/O MODULE bundles them conveniently into one module.

Connections Include:

1x Genlock / PGM / Preview (BNC)
1x AES
2x 3-Pin XLR Input
1x 5-Pin XLR Output
1x Timecode (5-Pin Lemo)
1x GPIO (4-Pin Lemo)
1x Power (4-Pin Lemo)
1x AUX (10-Pin Lemo)
1x LCD/EVF Output (RED Display)

 

This module makes our Epic truly versatile and now is all you need to shoot anything from Web video through to a feature film.

Red formats & dimensions

This chart shows the resolutions of the various RED formats and their corresponding dimensions in millimeters. Created by Danai Chutinaton. Thank you for the great information.
High Resolution Download: http://www.bluepano.com/hostedfiles/…ons-Key-LG.jpg