Greenscreen TVC

Red Epic camera on a R90malibu-green-screen-b5ac2c219da1028fbf2c026e7ba8e15d

I shot a green screen shoot yesterday for a TV commercial. We approached this slightly differently than the usual as we decide to shoot with the Epic camera mounted at 90 degrees shooting 5K HD in a 16:9 aspect ratio.

By setting up this way it meant that then we would shoot the talent head to toe and just wide enough to accommodate any hand movements for the whole shoot. Because of the 5K resolution of the Epic camera combined with the added resolution boost by shooting with the camera mounted at 90 degrees meant all the reframing could be done in post with no loss of quality. The finished TVC will have shots ranging from close ups to very wide shots where the talent will be about a quarter of the screen height.

This all enabled us to shoot very efficiently without sacrificing quality.

So on your next greenscreen shoot think about mounting your camera at 90 degrees.

Setting up an Interview

Setting up EpicI have a big interview series shoot, where we are interviewing heaps of legends from Australia’s film and TV industry. Shooting on a Red Epic to ensure nice short depth of field and and a cinematic feel to the finished video. Thanks to Eve Brown (Production Manager) for sitting in for the pre-light at the beautiful Theatre Royal.

We decided to shoot at 4K resolution with an f-stop of 2.8 to achieve a beautiful soft background. The rich red tones in the theatre look superb. I am looking forward to the next few days of shooting with the great team from The Milkbar.

Screen Aust Epic shoot

Screen Aust2

The lighting I am using are a mix of Lowel Tota lights and Dedolight or Dedo’s

World movie premiere – DOP Tim Bradley

Hi 5Forget the Oscars, the world premiere of the new Hi-5 movie “Some Kind of Wonderful” with director of photography extraordinaire Tim Bradley. I shot on my new revolutionary Red Epic camera. It’s in good company, Red Epic was also used to shoot Hitchcock, The Great Gatsby, The Hobbit and Mental. Looking forward to walking the purple carpet – think Hi 5 colours 🙂

The Fantastic crew was – sound by Martin Harrington, additional cameras Brigham Edgar,  Dean Ginsburg and Directed by Jim Hare.

Atomos Samurai now uses Red Epic file names

epic file names

The latest firmware for the Samurai recorder now allows uses to select a new file naming option. The Samurai’s new option is to be able to use the Red Epic/Scarlet file names, making the Samurai an instant ProRes or DNxHD backup copy of your footage as well as allowing you to use the Samurai’s files for offline edit. Because of the matching file names now it will make re-conforming to the R3D files a breeze.

This update makes my Epic a more versatile camera, meaning what ever post production you have planned for your shoot myself and the Red Epic now provide answer.

Well done Atomos ! Thank you.

GoPro Hero 3 – Black

gopro hero 3 black

GoPro have released their new range of cameras and I recently got my GoPro Hero 3 Black camera. The Black edition is the top of the range GoPro camera. It is the most versatile of the range as it offers more video resolutions and higher recording resolutions, in fact it will record 4K files. Other great features are its now 30% smaller, 25% lighter and 2 times more powerful than previous models. It’s waterproof to 60 m, capable of capturing ultra-wide 1440p 48fps, 1080p 50 fps and 720p 100 fps video and 12MP photos at a rate of 30 photos per second. It also has time lapse capabilities, being able to take a frame every 0.5, 1, 2, 5, 10, 30, 60 second intervals. Another stills innovation is the Continuous Photomode where you can take 3 photos per second or 5 photos per second or 10 photos per second – get for capturing the exact moment.

 

This camera is so small it can be mounted almost anywhere, meaning that I can now offer another camera to get a different view than possible with a normal sized camera. Also the waterproof housing meaning that is can be used almost anywhere in any weather conditions.

 

It has built-in Wi-Fi enabling remote control via included Wi-Fi Remote as well as live video preview and remote control on my smartphone and ipad running the GoPro app. This means its really easy to frame up your shot and then roll and cut the camera, as well as check that the camera is still getting what you want. The app also lets you can all camera setting really quickly and easily.

 

 

Epic & Scarlet cameras shoot reality TV

Today’s the final gear prep day before we start shooting a reality TV series. I can’t name the show yet, but I am really looking forward to shooting it on my Epic camera. We have mainly Epics, but have one Scarlet camera in the mix.
Keeping on top of the data backup is going to be one challenge, but I am told that’s in good hands with plenty of on set computing power at hand.
There has been a great crew brought together for this show, so will be great fun to shoot!

Cinematography tools online by Red

Epic and scarlet tools

Red has just added some tools for Cinematographers and Photographers that use Epic or Scarlet cameras to their web site. The new tools are 1. Crop Factor 2. Recording Time 3. Flicker Free Speeds 4. Depth of Field.

You can find the tools at http://www.red.com/tools/crop-factor

At the moment they are online but its rumoured that there may be an app version in the pipeline. I see the record time tool as the best as no other app seems to be able to do what this tool does.

Thanks you Red!

Epic online tool

For more about Tim Bradley please visit www.sydneycameraman.net.au or www.cams.net.au